The second fee is the “Booth Fee.” This is the fee you pay for space at the show. A standard booth space is 10 foot by 10 foot. Depending upon the size and quality of the event, the Booth Fee may range from $25 to $400 or more. Some shows require this check upfront with the application. Other shows request the Booth Fee upon your acceptance into the show.
After the jury has reviewed your application, you will receive one of three replies: A Letter of Acceptance, A Letter of Rejection, or a Stand-by (Wait List) Notice. The first two replies are self-explanatory. The “Wait List” letter simply means that your work did not quite make the first cut, however you stand a chance of being called in to do the show should someone else cancel. It is your choice to remain on the Wait List or to withdraw from the show altogether.
Slides
In most cases, 35mm slides of your work will be required with the application.
Some shows are starting to request electronic scans, however many still require
the slides. Either way, quality is requirement number one. Whenever possible,
you should spend the money to have your art professionally photographed. Remember
that this is the only view the art show jury will see of your work. Two dimensional
artwork should fill the slide area -- no matting or framing should be visible.
Three dimensional artwork should have a very simple background which compliments
the art.
Many shows, particularly outdoor shows, will require a “Booth Slide” or photo as well. In this case the art show is looking for a picture of your entire display. It goes without saying that this picture should look as professional as possible. To get a good shot of an outdoor display with canopy, try taking the photo on a slightly overcast day (to eliminate hard shadows) and leave the top of the canopy for nice lighting. Your display should be clean, simple and free of clutter.
Booth/Display
Canopy -- If you are planning to do outdoor shows, you will need a canopy
to protect you and your work from the elements. This is not the place to save
money. Buy the best canopy you can afford. Talk to any artist who has ever
lost $1,000's of dollars of work to wind, rain, etc. and he/she will confirm
this. Two of the better canopies are the TrimLine Canopy by the Flourish Company
and the Light Dome Canopy. Canopies are offered with many options, including
see-through material for skylights and doors, awnings, carrying cases, and
more.
Display Panels -- For two dimensional art, you will want standing panels so that you can hang your framed pieces. You may also want a “flip bin” or two for matted, unframed prints. The panels should be fabric-covered, as plain grids tend to have an unprofessional look. Some of the best panels come from ProPanels.com. This company also makes pedestals for displaying three dimensional work. The Flourish Company makes panels which attach to their canopy.
Weights -- Weights are a necessity for canopies. You never know when the wind will kick up, and canopies can turn into flying parachutes. All four legs of the canopy should be weighted. Sand bags and cement blocks work, but a nicer look can be achieved using 3"-4" pvc pipe. Just cut 2-3' sections of pipe. Cap one end and fill with either cement or sand. Then cap the other end with a screw eye hook in the cap. This way you can secure the weight to both the top of the canopy rails (using a rope) and the bottom of the canopy legs (using utility ties.)
Weather -- Make sure to plan for the elements! This may mean rain gear, sunscreen, extra clothes and the like. Also, your art work should be transported/stored plastic bins as opposed to cardboard. Consider purchasing a heavy duty dolly. Not only will this make getting your display from the vehicle to the display area easier, the dolly can also serve as an above ground table for storing artwork behind your booth.
Hotel arrangements
If you are planning to exhibit out of town, make those hotel arrangements
as soon as you are accepted into the show. While an art show alone usually
does not fill all the local inns, you may find that other events are in town
for the weekend to coincide with the art show. This may make finding last
minute lodging difficult.
Payments
Consider in advance what forms of payment you will accept. While “cash
only” is a nice arrangement for the artist, it generally results in
lost sales. If you plan to accept checks, make sure to check identification
when accepting the check. If possible, try to get a merchant account before
the show so that you can accept major credit cards. This will definitely improve
your chances of sales. Most banks offer merchant accounts, though these days
you will probably find better terms and pricing online.
Marketing Materials
Even if people are interested in purchasing your work not all customers will
make purchases at the show itself. It is important to let them know how to
reach you later. At very least, have professional business cards ready. (Try
vistaprint.com.) If possible, also take flyers, brochures, price lists and
other materials which you can hand out. And don’t forget sales slips/receipts.
An “Artist Statement” (telling about you and your work) should be posted in your booth. People want to learn about you!
Attitude and Presentation
One the day of the show, make sure to SMILE! Purchasing artwork is a joyful
occasion for most people. Few will transact with a grouch! It is also important
to make a good impression on the show committee. One sure way to *not* get
into future shows is to growl at a committee member. One last note, dress
comfortably, but neatly. The paint-stained clothes should be left at home.
You are in “selling” mode now and should dress accordingly.
Artist and Graphic Designer Kelli Swan specializes in black and white Pencil Drawings and Graphic Design Services. Her websites are: PencilPlace.com (Animal Lover Art and Gifts); AnimalLoverGiftPlace.com (Animal Lover Gifts); KelliSwan.com (Kelli’s art, new book, journals and gifts)
Article Source: Ezine
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